Experience is the new luxury

Tired of cruises? Try an expedition aboard the MS Roald Amundsen

Photo courtesy of Hurtigruten
Hurtigruten’s newest vessel, MS Roald Amundsen, is an “expedition ship” built for the extreme environments of the Arctic and Antarctic seas.

If your image of a cruise ship is a floating monstrosity the size of a city block, full of casinos, colorful iced drinks with bendy straws, and overblown attractions like waterslides or ziplines, housing thousands of drunk travelers on their way someplace tropical—in other words, if you’re the kind of savvy traveler who scoffs at the idea of cruises—it’s time to take another look at Hurtigruten.

Continue reading “Experience is the new luxury”

Peer Gynt at Gålå mixes fantasy with reality

High in the Norwegian mountains is a legendary theatrical experience worth the journey

Photo: Bård Gundersen / courtesy of Peer Gynt Festival
The natural setting is as much a part of the play as the actors and musicians. Characters enter and leave on boats and wade into the water, they chop trees apart, and of course they do it all no matter the weather.

The curtain cannot rise because there is no curtain, no proscenium arch, nothing but grass and a beach flanked by two shaggy hillocks between us and Lake Gålåvatnet. We are gathered here in the Norwegian wilds outside Vinstra to go on a journey with a character called Peer Gynt. Continue reading “Peer Gynt at Gålå mixes fantasy with reality”

Ikke dårlig vær, bare dårlig klær?

Photo: Emily C. Skaftun As it turns out, I really don’t take a lot of photos when it’s raining. So here’s a shot from the relatively “nice” weather before the rain started at the Peer Gynt performance. I was concerned that that woman on the left was going to die, since she was wearing at least four fewer layers than I had on and was already shivering. Hanne Maren, right, is fully bundled up, and she spent most of the evening inside a tent.
Photo: Emily C. Skaftun
As it turns out, I really don’t take a lot of photos when it’s raining. So here’s a shot from the relatively “nice” weather before the rain started at the Peer Gynt performance. I was concerned that that woman on the left was going to die, since she was wearing at least four fewer layers than I had on and was already shivering. Hanne Maren, right, is fully bundled up, and she spent most of the evening inside a tent.

I knew right away when I stepped off the plane that I’d made a mistake. Skirts and tank tops had no place in my luggage for this trip to Oslo and the Gudbrandsdalen valley in August.

I thought I had planned so carefully. The weather forecast showed some rain for my trip, but temperatures in the 60s—not my preferred beach weather, but not so dissimilar from the old school “summer” Seattle had been experiencing. I packed the sort of clothes I’d been wearing. I very carefully prepared a special clothing plan for an outdoor event in the mountains: long underwear, a wool sweater to be acquired in Norway, and waterproof outer layers. It’s the mountains, yes, but it’s still summer, I thought. How cold could it be? Continue reading “Ikke dårlig vær, bare dårlig klær?”

On the “untranslatable”

Photo courtesy of Maren Eline Nord, Nittedal, Norway Three grads take part in Norway’s russefeiring, the traditional high school graduate celebration that coincides with the national day, in 2014. There is no corresponding thing in America, so we have no word for it.
Photo courtesy of Maren Eline Nord, Nittedal, Norway
Three grads take part in Norway’s russefeiring, the traditional high school graduate celebration that coincides with the national day, in 2014. There is no corresponding thing in America, so we have no word for it.

Last fall an article started to go around, written almost exactly a year ago for Matador Network, called “10 untranslatable Norwegian terms” (matadornetwork.com/notebook/10-untranslatable-norwegian-terms). A quick search will turn up many such lists, all with different words and terms, in basically every language you can think of.

It’s true, of course, that translation is an imperfect art. Continue reading “On the “untranslatable””

Lit by poetry: Dinerstein’s “The Sunlit Night” illuminates

Frances grew up in a tiny New York apartment with her parents and younger sister, where they all still live even though both girls are in college. “Everything about my family was small,” she tells us, enumerating the smallness of their aspirations, physical stature, and living quarters: “Our apartment unfurled itself…the sofa bed opening up for my parents, filling the living room until it was nothing but a man and a woman in bed, with no room left, the foot of the mattress reaching just to the knob of the front door.”

One can just imagine a loving family surviving such conditions, but the love is gone.

Continue reading “Lit by poetry: Dinerstein’s “The Sunlit Night” illuminates”